Neal Caffrey (
conning) wrote in
apocalypsehowcomm2022-10-11 07:57 pm
Entry tags:
Neal Caffrey || Log || September/October Catch-All
Who: Neal and OTA/some for existing CR
When: September/October Catch-All (with one backdated August thing)
Where: ALL OVER ZE PLACE
Summary: SEPTEMBER/OCTOBER CATCH-ALL. Neal being bovvered by the sleep stuff and rescuing people/needing rescue, Evil Twin TDM prompts, sleepwalking after his murdered adoptive aunt, painting at Bonnie's, a couple of SOL prompts, DEATH BREAAAD both lead-up and hypersensitivity, some talk about mental health.
Warnings: HORROR STUFF.... Awful deaths, possibly drowning, murder of loved ones, gun violence, suicidal ideation, some ableism might crop up in the mental health threads. Toplevels will be labeled with likely subjects.
Prompts TBA below as they're finished! Feel free to PM me or message me at researchboner on plurk for specific prompts or with questions.
When: September/October Catch-All (with one backdated August thing)
Where: ALL OVER ZE PLACE
Summary: SEPTEMBER/OCTOBER CATCH-ALL. Neal being bovvered by the sleep stuff and rescuing people/needing rescue, Evil Twin TDM prompts, sleepwalking after his murdered adoptive aunt, painting at Bonnie's, a couple of SOL prompts, DEATH BREAAAD both lead-up and hypersensitivity, some talk about mental health.
Warnings: HORROR STUFF.... Awful deaths, possibly drowning, murder of loved ones, gun violence, suicidal ideation, some ableism might crop up in the mental health threads. Toplevels will be labeled with likely subjects.
Prompts TBA below as they're finished! Feel free to PM me or message me at researchboner on plurk for specific prompts or with questions.

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“I don’t need his soul. I’m well able to take this life and do a much better job with it.”
“Get away from him,” Neal says again, jerking forward finally and grabbing the thing’s arm.
Faux-Neal tangles his hand into Malcolm’s hair and grips. Neal freezes, and the imposter gives him a pitying glance that makes his skin crawl.
“You aren’t equipped for the kind of violence this world requires, Danny.”
Neal pales, his hold loosening a little bit. “How do…”
“I’m you, but better, remember?”
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But not today, because he knew they were going to have an unwanted guest. Today, he's tucked it into the waist of his jeans, under his sweater.
He's being held by his hair, looking unruffled by that, all things considered. Unruffled as the knife slips deftly out from under his sweater while the creature's attention is on Neal, to find its tip digging lightly - for now - into the space between not!Neal's ribs, hand steady as a statue. It's large and serrated and ugly. It's mean, even for a weapon.
"That's what I like about him," Malcolm informs the creature mildly. "He's good. Not like us. He's the one that's better."
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"Malcolm," Neal whispers, his own eyes huge. There's so much to say, so much to respond to, but what he says is, "You're good."
The Faux-Neal lets go of Malcolm's and tries to step back, away from the knife, free of Neal's grip. "Let's talk. All three of us."
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He gives Neal a sidelong glance so he doesn't lose sight of the thing that isn't Neal.
Good people don't pack knives on the off chance they have to stab an intruder in their kitchen, Neal.
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"Are you going to let your boyfriend stab someone, Danny? You know it'll mess him up. More."
"That isn't my name," he grits out.
The Faux-Neal waves one hand in a 'more or less' gesture. "It kind of is."
Neal glances at Malcolm, at the knife, at his own smug face. Even though he knew there would be a confrontation, there would be some kind of negative result from this, it didn't click in his head that it could be violent. He thought they'd arrest this thing, somehow. Turn it over to ADI. That doesn't guarantee it won't get away, but it's alive. It's as alive as Jeff, isn't it?
He tentatively steps forward, touches the back of Malcolm's wrist. "We don't--we can figure this out. We figure everything out."
The Thing That Isn't Neal moves fast. Too fast. There's a butcher's block of knives on the kitchen counter. It snatches one with a particularly keen edge and swings an arm up and around Neal's neck, yanking him back and resting the blade along his jaw under one ear. "You really aren't meant for this place, Danny-boy. Let me help you."
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Neal, for his part, stays very very still.
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"I'll put mine down if you put yours down, how about that."
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The Faux-Neal sets his knife down, but it's still very reachable.
"You really want to kill me, huh."
"He doesn't want to hurt anyone," Neal says softly. Hating that his own voice is the one that leveled the accusation. "He protects people. He always has."
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Neal makes an incredulous noise. "That's--you can't just take my face."
"Who says it's your face?" The Faux-Neal smirks a little. "There's a million universes out there, right? There's probably more than a few with people who look like you."
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“No. I like this one. This one is mine as much as it was his.”
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He levels the knife at Real-Neal. “What are you going to do about it?”
Real-Neal reaches out to try and snatch Malcolm’s knife in a sudden snap of helpless, wordless anger.
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It doesn't go after him, though. It glances at Malcolm, then goes for the shocked Neal with a wheezy snarl.
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They don’t even know what it is, but it’s mean and Malcolm isn’t convinced it’s human.
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He hits him with the hand holding Malcolm’s knife and freezes all over again.
Faux-Neal and Neal stand eye to eye, both shocked, the former a mix of angry and delighted.
The fake twists Neal’s wrist sharply, forcing him to let go of the blade. He yanks it out of his stomach without hesitation and tries to sink it into Neal’s chest.
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...Go for the frontal lobe; turn you off like a light switch.
...he takes the kitchen knife in his hand and drives it through fake Neal's temple, straight into his brain.
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Malcolm's knife--the one the other Neal was holding--clatters to the ground. There's no blood on it. There's no blood at all.
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"It isn't human," Malcolm tells him. "Put it down."
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Heaves. Covers his mouth with both hands and fights off another wave of nausea. He hates throwing up. Hates it, even beyond the risk of leaving evidence behind that it would pose at a crime scene. He hates the feeling, hates the foulness of bile and the wrench of muscle and the smell. He deals with it for Malcolm because it's Malcolm, and Neal himself isn't the one doing it. But he hates it. Focusing on that lets him ignore the body, at least.
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