Neal Caffrey (
conning) wrote in
apocalypsehowcomm2022-10-11 07:57 pm
Entry tags:
Neal Caffrey || Log || September/October Catch-All
Who: Neal and OTA/some for existing CR
When: September/October Catch-All (with one backdated August thing)
Where: ALL OVER ZE PLACE
Summary: SEPTEMBER/OCTOBER CATCH-ALL. Neal being bovvered by the sleep stuff and rescuing people/needing rescue, Evil Twin TDM prompts, sleepwalking after his murdered adoptive aunt, painting at Bonnie's, a couple of SOL prompts, DEATH BREAAAD both lead-up and hypersensitivity, some talk about mental health.
Warnings: HORROR STUFF.... Awful deaths, possibly drowning, murder of loved ones, gun violence, suicidal ideation, some ableism might crop up in the mental health threads. Toplevels will be labeled with likely subjects.
Prompts TBA below as they're finished! Feel free to PM me or message me at researchboner on plurk for specific prompts or with questions.
When: September/October Catch-All (with one backdated August thing)
Where: ALL OVER ZE PLACE
Summary: SEPTEMBER/OCTOBER CATCH-ALL. Neal being bovvered by the sleep stuff and rescuing people/needing rescue, Evil Twin TDM prompts, sleepwalking after his murdered adoptive aunt, painting at Bonnie's, a couple of SOL prompts, DEATH BREAAAD both lead-up and hypersensitivity, some talk about mental health.
Warnings: HORROR STUFF.... Awful deaths, possibly drowning, murder of loved ones, gun violence, suicidal ideation, some ableism might crop up in the mental health threads. Toplevels will be labeled with likely subjects.
Prompts TBA below as they're finished! Feel free to PM me or message me at researchboner on plurk for specific prompts or with questions.

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“No. I like this one. This one is mine as much as it was his.”
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He levels the knife at Real-Neal. “What are you going to do about it?”
Real-Neal reaches out to try and snatch Malcolm’s knife in a sudden snap of helpless, wordless anger.
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It doesn't go after him, though. It glances at Malcolm, then goes for the shocked Neal with a wheezy snarl.
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They don’t even know what it is, but it’s mean and Malcolm isn’t convinced it’s human.
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He hits him with the hand holding Malcolm’s knife and freezes all over again.
Faux-Neal and Neal stand eye to eye, both shocked, the former a mix of angry and delighted.
The fake twists Neal’s wrist sharply, forcing him to let go of the blade. He yanks it out of his stomach without hesitation and tries to sink it into Neal’s chest.
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...Go for the frontal lobe; turn you off like a light switch.
...he takes the kitchen knife in his hand and drives it through fake Neal's temple, straight into his brain.
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Malcolm's knife--the one the other Neal was holding--clatters to the ground. There's no blood on it. There's no blood at all.
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"It isn't human," Malcolm tells him. "Put it down."
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Heaves. Covers his mouth with both hands and fights off another wave of nausea. He hates throwing up. Hates it, even beyond the risk of leaving evidence behind that it would pose at a crime scene. He hates the feeling, hates the foulness of bile and the wrench of muscle and the smell. He deals with it for Malcolm because it's Malcolm, and Neal himself isn't the one doing it. But he hates it. Focusing on that lets him ignore the body, at least.
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He touches it, rubs it between his fingertips and looks up at Neal.
"Sawdust."
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"You never actually see the back of your own head that much," Neal says dazedly.
And then his stomach somersaults and he makes it to the mercifully empty kitchen sink before he barfs.
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"It's full of straw," he says, fascinated.
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He picks up his knife and cuts into the creature's arm.
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For a second, Neal stands there, stunned into wordlessness. He’s never felt dismissed by Malcolm before. He’s never had a moment with the other man where there wasn’t some awareness of their feelings, both their feelings.
He can’t put words to it the way Malcolm did, but he realizes in some ways, until now, Gloucester has been better than home.
“I need some air,” Neal mumbles, and walks out.
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Malcolm drops the knife and gets up.
“Wait,” he says, stepping towards him, searching his face now, if he’ll turn. “Are you okay?” And he’s really asking, his own expression creased with concern.
He can tell, if he’s paying attention, but he’s as blind as everyone else when he’s not.
He’s paying attention now.
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"Yeah," Neal says, very softly. "Yeah, I'm all right. I'm fine."
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"No you're not."
He can see that plainly, now that he's looking, but Neal didn't want to tell him.
"I did something."
His face crumples a little further and he looks over his shoulder at the corpse and then at Neal.
"Is it because I stabbed it?"
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“Just. I did, too. I stabbed him. I stabbed me.”
He looks away from the body on the ground, even though it’s fake. “I’ve never hurt anyone like that before.”
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“I’m sorry,” he whispers.
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“You’d think I’d be okay with this stuff by now.”
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