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apocalypsehowcomm2022-07-25 12:48 am
clavesregni) wrote in apocalypsehowcomm2022-07-25 12:48 am
Log | July Catch-All | OTA (plus prompts for Donna & Callisto)
Who: Caitlyn Kiramman and you!
When: July
Where: all over the place
Summary: Caitlyn adjusts to life in Massachusetts
Warnings: tbd
I. Interfering in an Investigation (Again) (OTA)
[While Caitlyn has enthusiastically joined the ranks of ADI's investigations unit, she is still afforded some free time, and what better use of that free time than to involve herself in police business? She heeds ADI's warnings, of course, and tries to avoid staying too close to any individual officers. This is made easier by the fact that the police make it clear they don't want her anywhere near any of their crime scenes, and that 'interfering with an investigation' is an offense for which they would be well within their purview to arrest her.
So when Caitlyn finds herself standing outside a line of police tape at a crime scene near the railroad tracks, she double checks that no one's looking before ducking under the tape to question a suspect who's been left on his own in handcuffs.
It takes all of twenty seconds for an officer to notice her and forcefully escort her back across the tape with a stern warning.
She turns in a huff, clutching her open notebook, phone, and pen to her chest, only to drop all of them when she unexpectedly knocks into another bystander.]
I-- I apologize, I didn't see you. [She kneels, awkwardly scrambling to pick up her things.] Are you alright?
II. Clothes Shopping (OTA)
[One of the first things Caitlyn realizes in her exploration of Gloucester is that the fashion here is wildly different than that of Piltover. She remembers the first lesson Vi taught her - blend in - and makes her way to a clothing store.
All of the clothing is adorned with numbers she doesn't understand. The price, presumably, and sizes? She has no idea what size she is. Her clothing has, for the most part, always been tailored or purchased for her.
It's immeasurably frustrating, realizing just how helpless she is in the real world.
Not to be deterred, she chooses a few items off the rack and makes her way to the changing room. She's left the little stall in a pair of something called 'jeans' and a blouse - buttoned all the way up to the collar - and is standing in front of a full-length mirror in the hallway, shoulders tense and brow furrowed, feeling increasingly foolish, when she notices someone vaguely familiar from ADI.]
Does this look acceptable? I'm afraid I... [Never bothered much with fashion before? Am from a completely different world where no one would ever dress like this? Have never really done my own clothes shopping before?
She glances around awkwardly to see whether anyone else might be listening.] ...am new to this.
III. Conspiracy Time (OTA)
[ADI's library is frustratingly small, and Caitlyn has yet to entirely figure out how the computers work. She has two notebooks with her: the first is her official notebook, the one she keeps on all ADI and Entity-related matters, which she's happy - if not overly enthustiastic - to share with any of her coworkers. The other is rather more clandestine. It contains all of her notes on ADI itself, everything that could point to the truth of their intentions. She isn't convinced, based on one conversation with Aelwyn, that ADI has some dubious ulterior motive, but she's not ready to dismiss Aelwyn's suspicions, either. Hence the notebook.
She hasn't been here long, but both notebooks are already filled with her compact, scribbled handwriting, paperclips and post-it notes and photos from the polaroid camera she spent her first paycheck on stuck to the pages. There's so much to learn about this new world, her new employers, and the new threats she's facing, and Caitlyn has never been anything short of exuberant about cataloguing new information.
Both of them are with her in the library today, and she's left them sitting on a table with a couple of books that seem potentially interesting while she searches the painfully ill-outfitted shelves for anything that might illuminate the history of ADI.
She's just starting to get frustrated with the library's small selection when she notices someone glancing at one of the notebooks, which must have fallen open. She hurries back to the table and closes it quickly, unsure of which notebook it is.]
That's, um. [She picks them up.] Mine.
IV. Getting to Know the Roommates (for Donna and Callisto)
(a). Laundry??
[Caitlyn has inquired with ADI personnel, who were less than helpful on the matter of laundry. There was something about facilities, but Caitlyn has no idea where those might be or how to use them or even what 'laundry facilities' really means.
So, dressed in one of the new outfits she's purchased, with the other new outfits and her bloody, paint-stained uniform in a hamper carried under one arm, she peers out into the hallway, hoping to encounter one of the people she's meant to be sharing this living space with.]
Excuse me?
[Fortunately it appears that one of her roommates is, indeed, here. She holds out her hand.]
I'm Caitlyn. It's a pleasure to meet you.
(b). Cooking??
[Caitlyn has often felt the opulence of the Kiramman Manor to be more a burden than a luxury, but this tiny apartment, which she's meant to share with two other people, will certainly be an adjustment. The bedroom is more a closet than a bedroom, barely large enough to fit a bed and something that's likely meant to serve as a desk. She's always tried to be polite and tidy and not leave messes for the servants, but she can already tell that taking out the bins and doing the washing up requires a surprising amount of effort. And now...
Cooking.
She's standing with her hands braced on the counter, head bowed, a pile of burned fish sitting next to her.]
This is absurd! I followed the instructions, I-- I set a timer! It can't be this difficult to prepare food!
[She grabs the fish and starts to empty it into the bin. Somehow, despite its blackened exterior, it's still raw on the inside.]
V. Wildcard!
[Feel free to throw anything at me!]
When: July
Where: all over the place
Summary: Caitlyn adjusts to life in Massachusetts
Warnings: tbd
I. Interfering in an Investigation (Again) (OTA)
[While Caitlyn has enthusiastically joined the ranks of ADI's investigations unit, she is still afforded some free time, and what better use of that free time than to involve herself in police business? She heeds ADI's warnings, of course, and tries to avoid staying too close to any individual officers. This is made easier by the fact that the police make it clear they don't want her anywhere near any of their crime scenes, and that 'interfering with an investigation' is an offense for which they would be well within their purview to arrest her.
So when Caitlyn finds herself standing outside a line of police tape at a crime scene near the railroad tracks, she double checks that no one's looking before ducking under the tape to question a suspect who's been left on his own in handcuffs.
It takes all of twenty seconds for an officer to notice her and forcefully escort her back across the tape with a stern warning.
She turns in a huff, clutching her open notebook, phone, and pen to her chest, only to drop all of them when she unexpectedly knocks into another bystander.]
I-- I apologize, I didn't see you. [She kneels, awkwardly scrambling to pick up her things.] Are you alright?
II. Clothes Shopping (OTA)
[One of the first things Caitlyn realizes in her exploration of Gloucester is that the fashion here is wildly different than that of Piltover. She remembers the first lesson Vi taught her - blend in - and makes her way to a clothing store.
All of the clothing is adorned with numbers she doesn't understand. The price, presumably, and sizes? She has no idea what size she is. Her clothing has, for the most part, always been tailored or purchased for her.
It's immeasurably frustrating, realizing just how helpless she is in the real world.
Not to be deterred, she chooses a few items off the rack and makes her way to the changing room. She's left the little stall in a pair of something called 'jeans' and a blouse - buttoned all the way up to the collar - and is standing in front of a full-length mirror in the hallway, shoulders tense and brow furrowed, feeling increasingly foolish, when she notices someone vaguely familiar from ADI.]
Does this look acceptable? I'm afraid I... [Never bothered much with fashion before? Am from a completely different world where no one would ever dress like this? Have never really done my own clothes shopping before?
She glances around awkwardly to see whether anyone else might be listening.] ...am new to this.
III. Conspiracy Time (OTA)
[ADI's library is frustratingly small, and Caitlyn has yet to entirely figure out how the computers work. She has two notebooks with her: the first is her official notebook, the one she keeps on all ADI and Entity-related matters, which she's happy - if not overly enthustiastic - to share with any of her coworkers. The other is rather more clandestine. It contains all of her notes on ADI itself, everything that could point to the truth of their intentions. She isn't convinced, based on one conversation with Aelwyn, that ADI has some dubious ulterior motive, but she's not ready to dismiss Aelwyn's suspicions, either. Hence the notebook.
She hasn't been here long, but both notebooks are already filled with her compact, scribbled handwriting, paperclips and post-it notes and photos from the polaroid camera she spent her first paycheck on stuck to the pages. There's so much to learn about this new world, her new employers, and the new threats she's facing, and Caitlyn has never been anything short of exuberant about cataloguing new information.
Both of them are with her in the library today, and she's left them sitting on a table with a couple of books that seem potentially interesting while she searches the painfully ill-outfitted shelves for anything that might illuminate the history of ADI.
She's just starting to get frustrated with the library's small selection when she notices someone glancing at one of the notebooks, which must have fallen open. She hurries back to the table and closes it quickly, unsure of which notebook it is.]
That's, um. [She picks them up.] Mine.
IV. Getting to Know the Roommates (for Donna and Callisto)
(a). Laundry??
[Caitlyn has inquired with ADI personnel, who were less than helpful on the matter of laundry. There was something about facilities, but Caitlyn has no idea where those might be or how to use them or even what 'laundry facilities' really means.
So, dressed in one of the new outfits she's purchased, with the other new outfits and her bloody, paint-stained uniform in a hamper carried under one arm, she peers out into the hallway, hoping to encounter one of the people she's meant to be sharing this living space with.]
Excuse me?
[Fortunately it appears that one of her roommates is, indeed, here. She holds out her hand.]
I'm Caitlyn. It's a pleasure to meet you.
(b). Cooking??
[Caitlyn has often felt the opulence of the Kiramman Manor to be more a burden than a luxury, but this tiny apartment, which she's meant to share with two other people, will certainly be an adjustment. The bedroom is more a closet than a bedroom, barely large enough to fit a bed and something that's likely meant to serve as a desk. She's always tried to be polite and tidy and not leave messes for the servants, but she can already tell that taking out the bins and doing the washing up requires a surprising amount of effort. And now...
Cooking.
She's standing with her hands braced on the counter, head bowed, a pile of burned fish sitting next to her.]
This is absurd! I followed the instructions, I-- I set a timer! It can't be this difficult to prepare food!
[She grabs the fish and starts to empty it into the bin. Somehow, despite its blackened exterior, it's still raw on the inside.]
V. Wildcard!
[Feel free to throw anything at me!]
no subject
They told you what happens when people go off alone, right? It's bad news for them and for everyone around them. It's not exactly safe here, but it's safer than out there.
[Remembering something suddenly, he looks up from the book.]
I'm Bruno.
no subject
[A pause.]
They did tell me, yes.
[Caitlyn understands, she really does. And she's staying put. But she can't help the frustration she feels at, after a lifetime of being told it would be dangerous for her to go off and experience the world, finding herself in a place where that danger is real.
She opts for a change of subject, not wanting to dwell on that frustration.]
I've been digging into the history of Gloucester, trying to deterimine why this phenomenon seems to be centered here, what caused people to be drawn in from others worlds, why us... There's quite a lot to it but so far I've found no answers. [As is evident in the notebook.]
no subject
Did you see how they tore down part of the building? That happened while a bunch of us were gone. They were trying to see if the building was what was making it happen and if they could make it stop just by tearing it down. It didn't work.
no subject
[She's suddenly keenly interested.]
And there was no effect at all? Why did they choose that section?
no subject
[Said with confidence that immediately evaporates.]
I...don't know. Maybe that's where more people were appearing? Or maybe they thought since it was just offices it wouldn't bother as many people when it was gone.
no subject
[Another mystery to get to the bottom of. Was their stated reason for tearing down the building the truth? Why that section? Why now? Was there any result, even a less obvious one?]
Are you from another world, too? What was it like? And what happened before you found yourself here?
[She doesn't mean to sound like she's interrogating him, she's really just curious. The more information she can gather, the clearer the picture she'll be able to form of this whole situation.]