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apocalypsehowcomm2021-08-25 09:07 am
- !event,
- !npc,
- aelwyn abernant (d20 fantasy high),
- bucky barnes (mcu),
- kate cordello (original),
- martin blackwood (tma),
- mercy graves (original),
- zz_andrew jaeger (original),
- zz_gil arroyo (prodigal son),
- zz_harrier du bois (disco elysium),
- zz_jeff calhoun (original),
- zz_keith (voltron),
- zz_malcolm bright (prodigal son),
- zz_meredith idlewild (original),
- zz_porco galliard (attack on titan),
- zz_satoru gojou (jujutsu kaisen),
- zz_stephen strange (mcu),
- zz_takashi shirogane (voltron),
- zz_thackery binx (hocus pocus),
- zz_tim drake (dc comics),
- zz_toji fushiguro (jujutsu kaisen),
- zz_wanda maximoff (mcu)
Event - Circus, Circus
(cw: wax, potential compulsion and fighting)
The train pulls into the railyard at noon under a bright blue sky. The engine is a bright red with orange and yellow flames painted along the sides. The first carriage after that is pitch black with similar flames and a logo for the Fenix Down Extravaganza. It's a stylized red phoenix head in a circle of orange and yellow, the name of the circus painted across the top and bottom, mirroring the curve of the circle. A line of carriages stretch out after that, painted all different colors, but each maintaining the motif of flames down the sides and each bearing the company logo.
Excitement comes to the railyard. The circus is in town for a one-week stint before they continue their journey north. People in colorful costumes--clowns, 'fire fairies' covered in drips of candle wax, and those in animal masks--paper the town with advertisements. You might even find yourself conscripted to help with putting up the fliers and posters if you look idle. A stack of posters is placed in your hands. A $100 bill set atop seems to be your incentives to do something more than just toss them in the bin. There's a frantic energy both about the performers and the people in town. You might even find yourself strangely caught up in it. You want to help spread the word, to ensure the posters reach every part of town. Everyone else who's been conscripted, as well? You can do it better, faster. You need to be faster. You need to claim the space for your own before it's lost to someone else.
There hasn't been a circus come to Gloucester in decades, and it's the Fenix Down Extravaganza! They're renowned for their pyrotechnics and laser lights shows. Surely the enthusiasm for all that is just… catching.
The tents and booths are set up in vacant fields to the west of town, and there's one curious addition, as well. There's a railroad car that's been seemingly pulled away from the railyard somehow. No one sees it being moved, but it's out in the vacant field, and some might recognize it as the old, dilapidated thing that had been hidden in the railyard, the charred husk filled with old posters. It looms, in the field, almost seeming to smoke where it sits. It's quickly cleaned and restored over the course of the day the circus is setting up, though, and it seems to have been turned into the ticket booth for the front of the circus, complete with a new bright red paint job.
(cw: large-scale vehicular collision, industrial disaster, fire, harm to animals)
It's not a single person who can claim credit for the find, but many people all together. Hours have been poured into researching the mysterious midnight train crash that had rocked people from their beds almost a week ago. Finally, something is found. Stitched together from local newspaper clippings from around Cape Ann, a story emerges, identifying a derailment in the city of Gloucester back in 1921. More than a dozen workers had died in the railyard and there were fires beyond that in the town. The train itself had had only a few people aboard, performers for the Smoke and Mirrors Acting Troupe, along with animals used in their performances. The stories seem to be tucked away a few pages from the front of the newspapers, which are dominated by stories about skyrocketing unemployment following the Great War and the return home for the troops.
All of the stories seem to end with the same sentiment: It could have been so much worse. If the train had derailed further north in one of the more populated cities, where it had been scheduled to arrive the next morning after the crash? It could have been hundreds, maybe even thousands dead.
The information, whomever has found it, is enough. ADI calls a staff meeting. Ghostly circus train derailments just before another circus rolls into town? That's not a coincidence. Everyone who's willing is purchased a ticket for entrance to the Fenix Down Extravaganza, and every person is assigned a partner to join them. Don't lose track. There will be no kidnappings this time. ADI is determined to keep their people as safe as they can be while investigating. Maybe have a chat with your new companion(s).
Those who misbehaved during the last event's Sticky Wicket prompt and were caught with either an opened box or found to have injuries related to the artifacts inside the boxes will be assigned an additional person to their group. A mentor to keep them on the right track this time. And also to narc on them if they mess up again. Better behave, partner.
(cw: reference to cannibalism, fire, pain, mild body horror)
There's a light and excited atmosphere about the circus once a body makes it through the long queue out front. The sweet and sticky scent of fried and sugary foods permeates the air along with barbecues and the ever-present smell of ash. Fire would seem to be the main attraction for the Fenix Down Extravaganza. Fire dancers, fire jugglers, people swallowing fiery swords, and walking over beds of hot coals. There are sideshow attractions and games to see before heading into the big top. Notably, there are no animals or signs of animals at the circus save for a small contingent of goats that are set up as a petting zoo, and a sideshow with a reptile exhibit along with a 'snakeman.' Otherwise known as a performer decorated with shiny sticker scales who provides interesting 'snake facts' to anyone who happens by.
The Food
The food is typical carnival garbage. A little overpriced, but still decent and provided in excess of what people should reasonably eat in one sitting, especially for things like the cotton candy and funnel cake. There is some decent grilled food available, and those who go snooping will find that the food prep within each of the little booths is acceptable for what it all seems to be. There is one booth characters might notice that has 'long-pig' on the menu. Or does it? Check again, and it's not there. It seems to be selling hotdogs, though. Just ordinary hotdogs. Care to bite into one?
The Games
Your standard rigged carnival games: the ring toss, the ladder climb, the baseball and milk jugs. Spend more money for bigger prizes! But you're risking losing it all, as well. There are a few unique games, as well, though. One is called 'The Floor Is Lava,' and participants must make their way around a strange obstacle course that's up on balance beams. If you slip and go down, it's just grass of course. But for a moment, for a split second, you can feel the heat and agony as the lava engulfs your body. You're fine, though, of course! It's just a game, after all. Even if you might feel a bit… singed after that. Another game someone might find tucked away in an obscure corner is 'Liar, Liar,' which involves throwing beanbags at targets. Each target lights a match that helps to burn a string leading toward a cartoonish figure in polka dot boxers. The goal is to get the fire to touch the boxers before a timer runs out. When the fire hits the boxers, there's an uncomfortably realistic shriek. But it's probably fine.
The Sideshows and Exhibits
Fire is the overriding theme at the side shows with fire dancers and jugglers being the most prominent amongst the tents. Attendants for the tents all wear full (and varied) animal heads obscuring their faces; though, if someone is rude enough to rip off their masks, they'll just find disgruntled employees who would like that back now. The more notable sideshow acts include:
- The Twisted Twisters - A pair of contortionists who maneuver bowls filled with flames while they shift around. They're very affable, joking with each other as they work.
- Flammie the Magnificent - A magician who's open about his use of smoke and mirrors, as well as making objects appear in a burst of flame. He's a purposefully goofy magician aimed at younger kids.
- Asbestos Mike - A man who juggles burning coals. His hands are… unfortunate to look at. But he doesn't seem to mind and claims to have no working nerve endings. He's extremely calm about… everything.
(cw: child endangerment/distressed parent with missing child, disorientation, hallucination)
And then, of course, there are the 'experiences.' They're not rides per se. Those are hard to pack up on a train, but they're exhibits to pass through with a particular theme toward interaction or ogling. There's a small wax museum with decently-crafted models of a few famous individuals. And then there's the Fun House. It's a mirror maze inside that seems to stretch on far larger than the small space it's set up in should allow. For those who make it to the center of the maze, they'll find a dark room with a single mirror in it. This, unlike the rest of the mirrors in the Fun House, isn't one that distorts your form. It's simply a standard mirror. There's also a corridor of mirror beyond it that leads to a quick escape from the Fun House for those lucky winners who make it there.
Said 'winners' will find that everything seems to be perfectly normal when they step out onto the bustling circus grounds. But is that- Ah, that's someone they wanted to talk to. Or maybe it's someone who looks suspicious. Just someone they want to follow. There is a figure and it's someone they want to follow. If they do so, they'll quickly lose said figure in the crowd, only to spot them a ways on a few moments later. Pursuing this figure will result in the winner being run around the circus grounds, never quite able to catch up. If they stop their pursuit, they will find themselves somewhere that they have not seen before. There may be a sense of disorientation as they try to get their bearings.
For those who don't enter the Fun House or come out as winners, they might notice someone--a parent--frantically looking about some other time. The parent comes up to them, asks if they've seen their child, before hurrying off to try to find an employee for help. Their little one was just there. They just came out of the Fun House and now… now they can't find their child! Employees will be only too happy to help, but non-employees might be quicker on the draw to locate the missing child. They're always found in a random place, seemingly unharmed but confused and frightened as they search for their parent, claiming they saw said parent going just over there, or over here. Still, you've reunited a family! No harm, no foul, right? Kids go wandering all the time. Parents really ought to keep a closer watch.
(cw: fire, pain, immolation, screaming)
"Please be advised the following show contains flashing lights, sudden loud noises, and fire. Anyone who may have difficulty with these, please make your way to the exit. Our employees will provide refunds for anyone who may have challenges due to these effects." A full two minutes pass to allow those who need to leave time to do so. And then…
"Ladies and gentlemen, boys and girls, and everyone in between, put your hands together for the one, the only, Fenix Down!" The words sound over the PA system in the tent just before roaring calliope music picks up and the man himself practically dances to the center of the ring in the main tent. Fenix is a remarkably short Caucasian man with dark hair, brown eyes, and a suit that looks like it's on fire, all orange, red, and yellow licks of color across the fabric. His bright yellow tophat features the company's phoenix logo on it, and he nearly loses the thing as he dashes around the ring, grinning like a madman and eliciting cheers from the audience as he raises his arms for them to shout.
"Are you ready, my friends, for the brightest, the grandest, the most extravagant show you have ever seen?" Thunderous cheers from the audience. "I am Fenix Down, and this is my extravaganza!"
The show plays out with two main acts with smaller ones in between. The main acts are introduced by Fenix in turn:
- "Penny, the dancing flame!" is firedancer with an elaborate show involving a flaming whip and multiple other performers in horse heads acting as her 'animal companions' for the show.
- "And Roderick, the man with laser hands!" is a young man in large, dark glasses who conducts a laser lights and pyrotechnics production from a DJ-style turntable as rock music plays and performers dance and tumble around the ring.
On the final night, there is a change to the performance, though. "And now, my friends, my dear friends, we have a special treat, a new main act to premier: Pyre, the burning man!" Those who are witness to this will see a young man enter the ring. He's sweating and a bit on the heavy side. He also looks… frightened. Frightened and exhilarated. He waves to the crowd as a circle of pipes is raised from a stage in the center of the ring. Pyre sets himself in the middle and lifts his hand. Liquid sprays from the pipes and for those who are close enough, they will likely recognize the scent of gasoline.
"I will be reborn and rise as the phoenix!" Pyre declares before striking a match. His whole body catches immediately in flames and there are horrified gasps and screams from the crowd. Those who might try to interfere are asked to hold on, hold on, just wait by employees. There's nothing to do for young Pyre, anyway. The flames burn rapidly until he collapses on the stage. Fenix makes the first subtle movement he has ever made for anyone who has watched his other performances. A small snap of his fingers, half-covered by one hand. The fire snuffs itself out immediately.
"Now, ladies and gentlemen, I know that seems frightening, but just watch," Fenix calls. "Like a phoenix, we rise!" As he says this, Pyre picks himself up. His clothes hang in a charred mess about his form, but his flesh… it seems to have knit itself back together. He is whole, and proceeds to give the audience a double-thumbs up. Relieved guests erupt in applause for this… very strange and rather harrowing final act.
After each performance for the night, the main acts and Fenix are available to take photos, sign autographs, and generally schmooze with the public for a little while. They each have a small tent so that you can have a moment of privacy with your favorite act, if you'd like. If anyone is looking for answers, particularly, these are the top of the hierarchy and might prove the most fruitful to speak to. They're also the only people in the circus that seem to have supernatural energy about them, for those who might have such senses to notice that.
- GENERAL - Players are welcome to play NPCs for themselves when they are needed in a thread. If you need more information on general behavior for these types of NPCs, please feel free to ask! In general, the information provided in the prompt should be sufficient and you're welcome to make up any details beyond that for your specific scene. For this event, the only NPCs that should not be controlled by players for threading are: Fenix Down and the Main Acts in The Ringmaster prompt. These NPCs will be played by mods and available for interaction.
- BY THE PRICKING OF MY THUMB (25-26 August) - Characters may accept fliers to put up a maximum of three times (that's $300). Not everyone will feel the compulsion to put up the fliers, but if you need incentive for your character to take action, they can do so. The fliers are ordinary adverts with dates, hours, location, and pricing for the circus. Characters can wander around some of the set-up for the circus, but they'll be shooed away if they linger too long with a request to leave for their safety. Circus personnel doing the set-up are not interested in talking. They'll ignore characters or threaten to call the police for harassment if characters persist in bothering them while they're trying to set things up. Those who attempt to mind-control the workers or otherwise compel them for information will quickly discover that these are genuinely just ordinary people who are doing all the set-up. And they would really like to do their job because they do not have enough time.
- SOMETHING WICKED THIS WAY COMES (25-27 August) - Players are free to OOCly select their ADI-assigned partner. Those who misbehaved during the Sticky Wicket prompt (and there was evidence of that misbehavior) will find themselves saddled with a mentor, either as their partner or in addition to their partner. This mentor (if they're a PC) should be someone who DID behave in that prompt or who has not made themselves a problem for ADI up to this point. Partners are not required to stick together or with their mentors for the duration of the event. This is just an opportunity to get some new CR (or strengthen existing CR)! And maybe butt heads while you slip away from each other while investigating. Mentors will be expected to be somewhat responsible for their charges, though, if you would like to play with that dynamic.
- SEND IN THE CLOWNS (26 August - 2 September) - Regular employees and sideshow acts have no particular information to provide about anything sinister going on at the circus. As far as they know, the work is grueling sometimes given the quick set-up/break-down and schedule, but they're paid very well and even have benefits! They're pretty protective of their employer, as a result, and aren't going to willingly trash-talk him or the circus beyond some standard grumbling about the extra work going into this as Gloucester wasn't originally on their tour schedule.
- LOST & FOUND (26 August - 2 September) - Employees will be generally helpful in these situations, using walkie-talkies to try to find missing children. They won't be fast, though. Parents will be uniformly distressed, then grateful to anyone who might assist in locating their children. Children will be wholly unharmed, wherever they are found, but frightened, confused and disoriented. Characters who end up as 'winners' in the Fun House will need several minutes to get their bearings back after following their hallucinations. If they try to return to the Fun House, they won't seem to be able to find the center of the maze anymore, and the mirror maze will appear to be wholly ordinary and the correct size for the space it's in.
- THE RINGMASTER (26 August - 2 September) - Characters who would leap in to assist Pyre will be waylaid by staff just long enough for him to stir and complete his act to show that he is, indeed, alive and seemingly fine. Those who still try to interrupt will be escorted out by security. Characters will have the chance to speak to Fenix, Penny, Roderick, and Pyre during this prompt. The first four will be available for the full week the circus is in town. Pyre will be available the final night. Characters may interrogate one NPC each. Each NPC will have different information they may be able to provide.
no subject
Uh well.... ] right. the investigation. no need to tell shiro about the diversion involving goat-napping then because that's not investigative work, nope. keith rubs lightly at the back of his head. ]
I guess I learned what long pig is? And that some of the games are messed up? And then there was obviously the whole deal with the fun house.
[ immediately after he's said it, keith trails off into a silence -- way to bring up an agitant that shiro already knows about. his hand comes away from the back of his head, shoulders rounding as he shoots shiro an apologetic look. ] ... which you just said other than.
[ shiro's eyes may be on him, but keith turns his attention briefly to the crowds around them. ]
Ticket booth is the same traincar that showed up in the weird phantom fire incident. [ a beat as he looks at a father passing by with his son seated on his shoulders. ] ....I don't know. Seems safe to conclude these guys are definitely tied to the thing ADI keeps calling The Desolation, but I don't know what they intend to do with that information.
no subject
keith looks to the crowd next and without even thinking about it, shiro instinctively follows the motion to turn his own gaze outward. he nods and then ruefully: ]
Yeah. And with how transparent they’ve been, I doubt they’ll clue us in either. [ funny, a month ago when he was a fresh face on the scene, he was more onboard with working with adi. he knew less about the organization and yet, trusted them more than he does now. a series of unfortunate events with hardly any recourse or explanation have a way of dwindling the faith. even so, that sourness doesn’t prevail into any unexpected decision, like leaving or working in their own interests. no. of course shiro sticks to the original plan. ]
But as of now, that’s all we can do. Gather information and bring it back to ADI.
[ and hope that as they build up a reputation of dependability, adi will include them in discussions involving more classified information. he frowns, not wholly convinced that even he likes that idea. honestly, he’s not thrilled with the idea of relaying his experience with the fun house and subsequently, the embarrassment of his hallucination.
though, speaking of which… ]
Oh. Hold on -- hey. [ the realization dawns on him suddenly and he forgets himself in the moment, completely abandoning thoughts of adi and their duties as he starts swiveling his gaze this way and that. he’s clearly searching the crowd, but this time, there’s no risk of him scrambling to his feet in a panic. ]
I think it’s over. [ good. though, almost as soon as he thinks it, he feels a small, barely there pang of regret. the smile that comes to him is -- bittersweet. ] I don’t see him anymore.
no subject
Yeah? [ please ignore the way he's gone a pinch sheepish there. he hadn't been able to see adam from the start and all. ] That's grea-- oh.
[ shiro's got a wistful air about him and of course keith's gone and shove his foot in his mouth. he trails off into silence. it takes every fiber of control in his body not to facepalm here, but he manages it after worrying the inside of his lip. ]
....I'm sorry. Do you wish he was here?
no subject
the right hand of voltron, heh, fitting, because he’s definitely that for shiro.
so part of him wonders if adam would bolster the same feeling. sure, things were a ruin in the end, with the distance too great for them to bridge beyond the necessary cordialness required of two people working within the same circle but there are happy memories to be found there. memories of the real takashi shirogane, untouched by imprisonment and war. maybe shiro would feel more like himself if adam was here to tsk and remind him to take care of himself.
fuck, what a selfish reason to want someone to be dragged into this mess.
that’s the truth of it though. shiro doesn’t miss adam and he doesn’t regret the break-up or the sudden gap it left in his life those few months before launch day. shiro simply misses feeling whole. but collecting reminders and people from his days as golden boy are never going to be enough to accomplish that.
will he tell keith even the bare minimum of how he truly feels? no. the moment is heavy and strained as it is, and as always, shiro doesn’t want to talk about the burdens of his life. so he deflects. still staring into the crowd, he lets his mouth tug hard to one side on a lopsided smile, none of that supposed amusement reaching his eyes. ]
No. [ at least he sounds sure in that one word. the rest? comes out flippant, clearly playing up a joke. ] He’d hate it here for one. The whole 2021 east coast living while preventing an apocalypse thing -- heh, it would not go over well. He needs structure and routine, something he can depend on.
[ amazing then, that he stuck it out so long with shiro and his chaotic health. though, maybe there's something to that. adam could depend on the progression of the disease and the gradual decline of shiro’s body. he simply couldn’t depend on shiro’s reaction to it. he blows out a breath on the thought and then pitches his weight back, reclining his back to the picnic table, elbows resting along the edge.
he tilts a look keith’s way and again, forces the joke. ]
And two… things are scary enough as they are without my ex following me around.
not sure why this ended up pointlessly long
[ for all that shiro's adopted a more flippant tone, keith's known shiro long enough to be able to tell when his best friend is actually amused. this time? he thinks shiro's missed the mark by a degree or two. sore subject? maybe.
but keith lets shiro distract him a little by briefly trying to picture adam's life in gloucester. it doesn't take a genius to know adam wouldn't exactly be thriving with fear eating clowns or naked horse monsters or wormhole concealing playgrounds. hell, the garrison's whole existence revolves around training hard enough that 90% of the variance that could possibly happen on a given mission is something that has at least the foundations of a protocol drilled into everyone's heads. here, there's none of that. adi didn't even bother projecting the image of preparedness. what had their instructions been both times they went to dogtown on a mission? go look for evidence of the supernatural? despite himself, keith scoffs. but for all that adam would especially hate being here taking orders from reyes and the others, it's not like either he or shiro are faring that much better.
or maybe shiro is. there've been at least a few nights where the feeling of being watched was so severe that keith has had to give up sleeping on the bed entirely and make a fort for himself out of spare sheets and bedding in the corner. not the point though. keith clears his throat, not quite managing eye contact or a smile as he tries to keepthe conversation on "safe" topics. ]
Are exes really that scary? [ the question is meant to match the flippant tone, but there's something too earnest in keith's voice. like he is genuinely curious as to what adam's placement on horrors would be with kelpies and possible live sacrifices is. what he doesn't say is that he rather thinks adam should be more afraid of shiro than the other way around. ]
the meta is strong in you.
No, not scary. [ he glances forward, back still resting comfortably to the table. ] Awkward, I guess.
[ the sample size shiro is drawing conclusions from comes out to the grand total of one. anyone before adam didn’t fall into the category of boyfriend, though, trysts of that nature have their own potential for awkwardness. depends on the person, depends on the expectation, depends on the situation, depends on… a lot of things, honestly. shiro’s done a decent enough job of keeping his social life from seeping into his career; adam was just about the only outlier from the bunch. an ex-fiance of the same rank, in the same employ -- in hindsight, it probably wasn’t the greatest idea to entangle with someone he had to see almost daily, in some capacity.
oh well, four months later he was in space, then abducted, then recruited for a war, and now, in a time rift. guess that’s one upside to this.
faintly amused at the dark humor of his thoughts, he exhales slow on a sigh and kicks his legs out further, crossing them at the ankles. ]
I’d feel responsible for him if he were here, you know? [ and that in itself is an awkward place to be. on some level, he feels responsible for the ragtag bunch of forced adi agents, only in that they are supposedly a team. with adam it would be complicated. collaborating with him, checking in with him, providing his time, his attention, his care… he doesn’t want to revisit any of that now that he's two-something years down the line of that clean break. ] But that isn’t my role to fill anymore. I don’t want to look after him and I don’t want him looking after me.
no subject
keith doesn't breathe a word of it. what good is arguing about adam when shiro clearly feel some residual need to defend him? and how is keith's lingering resentment of the garrison even shiro's problem? for as much as keith had garnered some reputation for picking fights, that's not the truth of it. it's more that when keith is provoked sufficiently, he doesn't de-escalate. in this case, this is a pointless debate that they can both do without. he reaches over to give shiro's shoulder a light pat. ]
I don't think he'd want that either.
[ it's only after keith's said it that it occurs to him that maybe this isn't exactly the most comforting thing to hear, but... it's hardly a secret, is it? if adam had actually wanted to look after shiro, they would likely still be together and all. after a beat, keith takes his hand off the shoulder and re-folds his arms. ]
Wonder if the Garrison even bothered telling people back home you're alive and owned up lying.
[ again, bitterly, keith thinks probably not. ]
no subject
not the same, he tells himself, and then nudges the questions aside. completely different people, different situations and different relationships; stupid, that’s what he is for even entertaining such thoughts. the easing of pressure off his shoulder helps drag him back to the present and he glances over at keith, staring throughout the comment and then, heaving a humorless laugh. ]
Unlikely.
[ and perhaps it’s for the best anyway. reappear only to go missing hours later; not that there is anyone waiting for him on ( their ) earth, but he supposes it would be jarring to the few acquaintances or fans he has. the only thing he’s hoping for? is that the garrison personnel heeded his panicked warnings and are doing something, anything to ramp up their ability to defend earth. ]
Probably too busy covering up the Blue Lion’s existence and explaining away the disappearances of three cadets.
[ neither of them have much faith in galaxy garrison anymore, do they? it shouldn’t, but the thought has him smiling. he allows it for himself, this heartache of betrayal and disappointment, and then he shakes it off. ]
But hey. I don’t think either of us want to be thinking about the Garrison right now. [ or ever. they both got pretty burned. so, with a much needed diversion in mind, shiro heaves himself out of his seat and up to his feet. runs his palm over the closely shorn hair at the back of his head and then tosses a glance down at keith. ]
How about we go investigate some games?
no subject
that said? shiro's correct about his other assumption. thinking about the garrison and the lives they used to have there aren't what they ought to be doing. keith holds onto his one kernel of anger and then puts it away, getting up to his feet. ]
Okay. No more talking about people who don't deserve the time of day. [ adam included. he brushes off his hands and pants then adds: ] There have to be at least a few games around that are less rugged than the others.
[ thigh maybe that's optimistic, who knows. ]
Maybe one of the shooting games? Or that high striker game? [ he laughs, stretching his arms high as he starts to walk. ] Bet that one is nice and easy for you.
no subject
shiro peeks at him with a corner gaze and smiles to his laugh, looking forward again with a shake of his head. ]
Not high striker. [ a beat and a crunch, his foot coming down on a half-eaten bag of popcorn. wrinkles his nose but keeps right on walking. ] Already beat it. [ naturally. there’s a ring toss game to the left, but shiro’s stride doesn’t break; the prizes aren’t that great anyway. ]
I don’t want to wind up with another banana to pawn off on some kid.
[ … after trying to harass a larping wizard into taking the banana first. shiro was, unfortunately, unsuccessful. he laughs now though, twisting around to walk backwards for a moment, facing keith as he stretches his hands out wide. what is that? three feet? four? ]
It was this big, Keith. It was terrible. [ such a negative prize; imagine that, punished for succeeding. ]
no subject
[ that's quite the predicament shiro's got keith in. on the one hand, part of him wants to eyeroll that shiro's already tried his hand at the high striker game and won, but then the mental image of shiro wandering around trying to shove a four foot banana onto some random child is too funny not to laugh at. in the end, keith mostly looks amused despite himself. ]
So you don't plan on making more little kid's days by giving away more bananas?
[ bit of teasing thrown out, keith immediately undermines the commentary by pausing to look at the prizes hanging from the next carnie stand. see, ring toss is a game he'd also played with a certain larping wizard who ended up with the most horrifying bear plushie keith has ever seen, so that place is forever ruined. but the next stand? there are a bunch of prizes, but there's one in particular that holds keith's attention for a little too long.
as for the game itself, it's a shooter game. how could anything possibly go wrong? keith turns his full attention back to shiro after missing an obvious beat. ]
How about this one?
no subject
It may have made the kid’s day, but I don’t think her parents appreciated having to lug that around for her.
[ the words come slower toward the end, his own attention waning as he watches keith’s skirt to the side to eye up this next set of prizes. he turns his head and looks for himself, though, his gaze is more focused on the inflatable swords and bats. ah, fitting; seems very much like a keith game with those kind of prizes.
he looks back to keith and comes to a full stop, one shoulder lifting on a lopsided shrug. ]
Sure. Looks straightforward enough. [ and easy. which is probably misleading. still, when the carnie comes over, holding the toy rifle and requesting three tickets to play, shiro hands them over without hesitation. ]
I’ll win you something nice. [ he tosses a grinning look toward keith. ] I’m thinking a sword? [ the red one, specifically. ]
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and okay, yeah. maybe it would be fun to have a sword fight with shiro -- or no. not maybe, definitely, but keith still looks away sheepishly. ]
Well I um.... [ it's as far as he gets before the carnie interrupts with an unnecessary explanation of the largely self explanatory rules. center of the target's the money shot etc etc. if shiro's still paying attention to keith, his last word is mumbled. ] Hippo.
[ keith concludes, still sheepish, so shiro can line up his shot. weird thing is though, when shiro tries doing so, the carnie smiles an overly wide smile, tone saccharine as he wishes shiro good luck. keith gives the carnie a nasty look of his own, suddenly tense about this whole thing. but nothing seems to be going wrong? no screams of pain, no fire, nothing obviously amiss.
at least from his perspective. when shiro raises the scope to his eye however, he'll find that the targets seems blurry somehow. a blink and then each target he points the rifle at now bears the exact likeness of one bespectacled ex-fiance. ]
god why is this so long
he squeezes his left eye closed, even though age-old instruction tells him not to. it’s easier, feels more comfortable, although it cuts off his awareness of everything outside of the scoped image. it’s more for show than anything; they’re ten, fifteen feet, maybe, from the targets and there’s no need for a scope… especially one as out of focus as this one.
annoyed with it, shiro opens his other eye and lifts his head, thinking for one brief moment that he’ll eyeball it.
no. you have to shoot with the scope.
shiro frowns, just barely keeping his perplexed why at bay. fine, whatever, part of the game. he was thinking this was too easy; maybe the hampered vision is part of the difficulty? sounds like a safety hazard honestly. nonetheless, shiro plays nice and resumes his earlier stance, this time, he stares longer and the blurriness stays… until he blinks and the white an’ red of his target of choice abruptly changes.
adam.
again, he abandons the scope and lifts his head, blinking hard at the rows of now normal-looking targets. he could’ve sworn… -- he glances over at keith, looking for some sort of indication that he’s not going crazy ( again ) but before he can even think to ask, there’s an exasperated:
scope!
shiro winces, looking chastised as he turns his head forward. ]
Right. Sorry. [ and for the third time, he gets back into shooting stance. another blink and the target changes. it looks just like him. it’s just a fucking head but it looks just like him. if he didn’t know any better, he’d think adam was standing behind the target stand, resting his chin on the top rack. he bites his lip to keep himself from mumbling adam’s name, feeling just as out of sync as he’d been ten minutes ago.
is that what this is? is he hallucinating again? what is he thinking -- of course he’s hallucinating again. that both comforts him and distresses him, and honestly, he doesn’t know what to do with any of this… but he’s stalling far too long and he needs to just push through this, like he did before. so he does. his finger trembles as he hooks it on the trigger but he thinks, all he has to do is pull and then the hallucination will be jogged free.
he does not anticipate seeing the pellet lodging itself into adam’s head. it’s like time slows; he sees the hole break through adam’s forehead with staggering awareness. and then, just like that, time speeds way up, red seeping out of the hole fast, too fast until it’s running down his face in a thickened ooze. a startled, strangled sort of sound catches in his throat and he whips his head up, only to find that there is no adam. it’s a normal target, one with a pellet stuck dead center in the innermost circle. bull’s eye. how did he…
congratulations! pick a prize, any prize!
off-kilter and entirely lost on what he just experienced, shiro’s voice comes out faint. ] What… [ he blinks hard again, part wanting to will the image back into existence out of some sick need to understand. expression wrinkled, he mechanically hands over the rifle to the carnie’s expectant hands and without glancing at keith, starts again in that disorientated voice of his. ]
What did you want?
this is who you are
yeah, okay, so keith's probably jumped a step or two in logic, but hearing the dazed quality to shiro's voice after he finally takes his shot, keith isn't remotely apologetic as he snatches the rifle back out of the carnie's hands. the carnie barely manages a hey!! as keith scowls: ]
I'm taking a look at this. [ a beat as he raises it up to look through the scope. if the barrel is aimed at the carnie's head... would you believe that's purely coincidence? ] You can fetch me that red hippo in the meantime.
[ but for all the drama, it really just looks like an ordinary (albeit very smudged and in dire need of a thorough cleaning) scope. confused, keith purses his lips. the carnie seems similarly unimpressed with this, but holds out his hand for the rifle back. keith gives shiro a look, as if waiting for some kind of order. ]
You're okay, right?
[ translation: does keith have to beat up a clown in the name of friendship? ]
i apologize for my shortcomings. or longcomings.
and stomach rolling.
he swallows audibly and then breathes in deep, regaining some sense of stability by the time keith looks to shiro. it takes some effort but not nearly as much as it would have moments prior: he offers up a slight smile to ease both their nerves. ]
I’m okay.
[ he just watched the life blink out of his ex-fiancé's eyes. fake, sure, but it looked real enough and still, his galra fingers twitch, caught up on the idea of pulling that trigger. shiro is stubborn though and altogether determined to be okay, so the steadiness keeps in his voice and he sounds calm. ]
The game came with a spook. [ shiro’s not even looking directly at the carnie, but he can sense the delight the statement brings. shiro hadn’t wanted to start anything. he still doesn’t. he doesn’t want to start shaking down these clowns but the obvious pleasure the game attendant is garnering from shiro gunning down the image of a once loved one, has shiro reconsidering a simple walk away.
keith said he wanted the red hippo? seeing as the carnie has yet to grab it, shiro glances up at the plushies hanging above their heads and takes a few steps to the side. ] We’ll be taking this. [ going to his toes and stretching for the reach, he yanks the hippo free of its clip. steps back over to keith. ]
Keith, hold that up, would you? [ he nods to the rifle and when keith hefts it up, shiro encloses galra fingers around the scope. a flash of purple and tightening fingers, result in a mangled, part melted wreck of a scope. the purple fades out and then he tugs the rifle out of keith’s hands, handing over the hippo in exchange. slams the rifle down on the counter with more force than strictly necessary and then: ]
Let’s go.
[ nothing said to the carnie. no other move to discourage the continuation of that game. shiro simply turns away and tugs at his right sleeve, frowning as he starts walking. come on, keith. ]
i know you're not sorry
not that keith needed the additional cue to discern that much, but with shiro taking justice into his own hands, keith is far more willing to leave the carnie to salvage the scrap metal the scope has become and follow after his best friend, holding the red hippo tight in his arms.
he doesn't say anything, waiting until they're a couple of yards away from the carnie to reach up and put his hand on shiro's shoulder. ]
Hey. [ voice soft but insistent, he squeezes the joint once and lets go. ] What happened back there? [ a beat. ] Is everything really okay?
[ what he really ought to be saying here is thanks for winning the hippo for me, but somehow that seems to be missing the point completely. ]
i suppose you would know what's going on in my head, dear brainlink friend.
he delays an extra beat and then exhales on a sigh, turning just enough to look at keith. ] I saw Adam again. [ clearly, he’s frustrated, but it doesn’t wholly take over his voice. if anything, he sounds tired. apologetic. this is the second time in less than a half an hour that he’s had some sort of crisis over his ex. it is, of course, not his fault, but to shiro, it feels like he has some share in it. ]
This time he was a target. [ another pause, one in which he moves to cross his arms over his chest, self-soothing by hugging them tight to himself. this next part has him offering a tight grin and a strained laugh, his dark humor coming through. ] Pulling the trigger didn’t make the hallucination go away. It made it worse.
[ and that’s as far as his compromising will go. he's talked about the bare-bones of the spook so that they are on the same page of what this circus is dabbling in but any detail of how shiro feels in the wake of all that? he’s done enough opening up about adam to last him the rest of the year. so he tacks on a hasty, yet firm: ]
But it’s fine. None of it was real. [ he doesn’t need another pep-talk. shiro likes giving them, but he certainly doesn’t like receiving them and another one will likely only sour his mood further. right now, he’s desperately trying to unsour it by forcing a smile, sheer determination to appear stronger than he feels, making him nod to the prize in keith’s grip. ] And we got you your hippo -- I’m glad you like him.
im yelling
.... I do, yeah.
[ his voice as gotten quiet, grip tightening subtly around the stuffed animal. the response reeks of inadequacy, after what shiro's said about hallucinating shooting a bullet into adam's head though. keith bites his lip then breathes out. ]
Well if you aren't completely done with this place, I still owe you a prize. [ a beat, straightening up. ] But we can leave, if you'd prefer.
i'm still laughing over you always yelling.
he’s thankful though, that keith doesn’t pursue anything about the second adam hallucination, even if what keith inevitably offers is stilted and awkward. shiro wants to leave. he doesn’t think he can handle seeing adam a third time. and worse yet, he doesn’t want keith experiencing anything even the tiniest fraction of what he just went through.
and yet, he doesn’t take keith up on the out.
this isn’t just about you, he tells himself, and he thinks, maybe, keith needs the opportunity to win him something. sounds stupid, right? because it is. and at the same time, it’s so very keith. keith, who cares and tries and stops at nothing to keep shiro safe. shiro almost laughs at the thought; maybe keith needs to issue one last fuck you to this circus by winning shiro something nice, just to smooth over all these bad experiences.
so choosing to believe this, shiro sticks it out. ]
You can win me something. [ the forced smile gentles into something far more genuine, even as hesitance continues to linger in his gaze. ] But if there’s even a hint of something off about the game, we quit and leave, okay?
tsk laughing at my suffering
Sure.
[ it's a lie, of course. he has no intention of backing down from a spook, no matter how bad it is at this point, but if it puts shiro at ease keith is willing to let him think that. again, maybe this is ridiculous on keiht's part because it's over a goddamn toy, but fuck the fear feeders and this circus. ]
We'll keep looking for something you like then.
[ then with a sly grin, keith points towards the prizes hanging over an obstacle course type of set up. ]
I feel like I've seen you make that face before.
you say it like you don't do the same when i'm in distress
his voice is fond though. ]
Looks nothing like me, punk. [ and then he ditches harassing keith’s hair. he turns away and looks around the immediate area, checking the rows of stands on either side of the thoroughfare. ]
Imagine waking up in the middle of the night and seeing that in the corner of your room. [ creepy, to say the least. he exaggerates a shudder, grinning. ] That’ll be a hard pass from me. Thanks.
[ neon colored ponies. inflatable guitars and plastic icecream cones. purple monkeys. ladybug bean bags. tigers, penguins, cows -- there’s so many brightly colored animal plushies tied to wired walls and hanging from suspended bars. and games, so many games. ]
So how about… [ ball and bucket toss has terrible prizes. basketball is a bust. gone fishing has similarly dismal prizes. not that it matters. he doesn’t care what keith wins him. it’s not like he actually wants a plushie to take back to the apartment, that's just silly -- ]
Oh. Heh. [ and there, two stands down and to the right, there’s a plush hanging above what looks to be balloons and throwing knives. well shit, maybe he does want a plushie. ]
don't call me out like this
[ keith laughs as he ducks out from underneath shiro's mullet ruffling hand and gives his head a shake to make his bangs fall back into place. there's a joke he could make also about them both being corny, but that joke is too corny to make. he straightens up, grinning and follows shiro's line of sight to the little rocket prize.
looking from the toy back to shiro, keith thrusts the red hippo into shiro's hands and starts heading over towards the game with an unspoken say no more type of swagger. the fact that this thing involves knives does a lot to boost his confidence as well, even if the nature of this fucking circus makes it likely that not all is as it seems.
completely unperturbed, he plonks down three tickets onto the counter and listens as the carnie explains the game. throw the knife, no leaning over the counter, pop a balloon, profit. keith is only kinda-sorta listening, his focus more drawn to the throwing knife he's been handed over. he tests the blade with his finger, frowning when the thing turns out to be about as sharp as a butter knife. ]
Guess my work's all cut out for me.
[ muttered to himself, then looking conspiratorially over at shiro: ]
Should just use my knife.
[ but with that said, keith sighs, tossing the knife from one hand to another to test the weight and fall of it, and sizes up the distance between the counter and the balloons. is he taking this far too fucking seriously? probably. even the carnie seems to be on the verge of saying sir.... ]
jus' keepin' it real
unable to issue his own reassurance, shiro lets the thought go and hugs the hippo tighter into his side, one armed looped around it there on his left. next, his voice comes out in an amused huff. ]
That would make it too easy.
[ shiro can only assume keith takes exceptional care of that knife. it goes without saying that keith’s placed immense value on it. so keith wouldn’t even have to get a direct hit; the barest graze of that knife and it would have any of those balloons popping. smiling in his continued amusement for keith’s nitpicking, shiro watches him go through his scrutinizing and then he sidelongs his gaze to peek at the carnie. ah, okay, someone isn’t sharing in the amusement. ]
Let’s be honest -- [ and he glances back to keith. time to get this knife snob moving? ] -- it’s easy for you either way. So, let’s make it more of a challenge, shall we? [ rhetorical. he’s not asking for keith’s actual input. now let’s see: how to make it harder? keith close his eyes and throw? dangerous. keith take a spin and then throw? still dangerous.
simple challenge it is. he nods to the board of attached balloons. ] Hit the purple one, two in from the top right.
i disapprove
A lot goes into throwing knives, you know.
[ gosh. it may not be as sophisticated as flying a spacecraft, but there's still some technical skill involved in figuring out how each individual knife's going to spin in the air and at what angle it ought to be thrown!! keith is definitely not pouting, by the way. but the message is received and he huffs after another moment of squinting at the purple balloon. ]
But alright, here goes.
[ ... posturing aside, keith whips the knife as hard as he can so that if nothing else the force of the throw will pop the balloon. sure enough, the knife hits the right target which bursts with a very satisfying pop. where keith ought to be preening all victoriously though, he finds that his throat's gone extremely tight. he gasps, hands coming up to his throat and tries for another inhale -- this one even more labored than the last. ]
Oh no. [ the carnie doesn't sound remotely surprised by this. ] Must be an asthma attack.
[ keith hears the commentary and tries to get the words fuck you, i don't have asthma out, but the back of his throat burns like the tissue's been singed from soorched air. keith coughs, wheezes, as both hands slam down on the counter. he heaves, struggling for another breath and then....
just as soon as it started, the feeling subsides leaving keith to blink away tears. the carnie hasn't shut up yet, now addressing shiro. ]
best take your friend to medical.
[ keith, however, picks this moment to interject with a coughed out: ]
He's getting his fucking prize first.
it's important for our nonexistent stalkers to know.
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