George Milton (
bindlestifflost) wrote in
apocalypsehowcomm2022-07-02 11:27 pm
Over the hills and far away LOG [OPEN + Closed prompts]
Who: George Milton + various
When: July
Where: Various locations in Gloucester, on the train, in and around ADI
Summary: TDM Prompts + July catch-all
Warnings: scopophobia; paranoia; unnatural animals, thalassophobia; mild scopophobia, bodily harm, stalking, bullying, altered perception, alcohol abuse, discussion of mercy killing/murder, mob "justice," gun violence
Train Home
George can be found in various parts of the train throughout the ride home, the dining car, the passenger area, the scenic window look-out, or the sleeping cubbies when it's dark and late. Pick a place if you want to talk to him about the events in Wolf's Pen or anything else. He's quiet and a little subdued but approachable and willing to talk.
Birdswatching
Maybe it's because he has spent so much of his time outside in his life, or maybe it's because he has always been extra wary of eyes on him, but it doesn't take George long at all to notice something is very off about the birds in the trees and in stealthier spots beneath bushes on the ground watching.
He pulls the brim of his LA Dodgers ballcap lower to conceal as much of his face as possible when he faces you and says, "This is a new one. What do you make of it? Think we ought to cut patrol short?"
If they're just watching, that's one thing. There's no guarantee they'll keep it to that. In his thin, short sleeved t-shirt and jeans, he doesn't feel nearly protected enough from sharp beaks or swarming talons. Not all of those birds are small or harmless, if they got it in their heads to get punchy.
Current Events
Riptide
((OOC: Please note, I'm doing 2 of these. 1 rescuing someone else, 1 being rescued. After that, George would be getting out of the water and not getting back in. First come first serve.))
1. Rescue
George has been enjoying himself in the water, a good swimmer even if being in the surf is new to him. He's swimming slow laps out beyond the breaker line when he notices you shoot past him, and whether you realize you're in trouble or not, he realizes it. "Hey!" he shouts, changing his trajectory almost immediately.
"Hang on! I'm coming for you!" He picks up speed to cut through the water to catch up.
"Relax if you can. If you fight me, we's both gonna drown."
2. Help!
Well, he'd only just managed to get someone else to safety. Whether the current shifted or he somehow managed to get further to his left than he intended, he feels himself very suddenly in a strong pull and sweep. Instinctively, he goes to his back, face out of the water and as little of him under as he can manage. It's still very fast, very far, and he's feeling both nervous and a little queasy when he looks back toward shore.
That's a long way to swim when a body is already tired out. He's looking for anything he can grab onto, and if not, trying to scull sideways to get out of the worst of it.
Poseidon Quivers
George is no artist. He'll be the first person to say it, but building sand castles isn't half bad. He's enjoying himself except for his legs going to sleep under him. He has just finished a rounded turret with a bucket when he's standing up and trying to walk it off. "Damnedest thing," he mutters.
He's wearing a LA Dodgers baseball cap, a plain pair of red swimming trunks that hit mid-thigh, and a cheap pair of sunglasses. His unfortunate permanent farmer's tan and very white legs are on full display, the latter covered with sand.
We Feast upon the Flesh
"You little bastard!" George is swatting his ballcap unsuccessfully at a seagull that just lunged in and stole his entire hotdog out of its bun. "Did you see that? Unbelievable!"
OR
George is sitting on a lounge chair hunched over a plate of food protectively and watching out for any sign of bird movement with paranoid eyes. He's eating in quick, decisive bites. If you draw close, he says, "Better watch your food. Those damned birds are out for blood today."
Spot the Difference
((OOC: Just one thread for the actual artifact, please, since it doesn't make sense to me he'd continually handle something that hurt him. I'll take repeat threads for the other injuries appearing later. First come first serve for the knife part.))
Wearing a pair of thick leather work gloves, George has picked a box and begun carefully looking at, taking pictures of, and cataloging the items inside. He's not keen to discover any weirdness. It's part of the job, and after the events in Wolf's Pen, he's both more resigned to this aspect of it and a little more confident in his ability to handle things.
He has a knife in gloved hand he's turning over to look for odd markings on the blade or handle. A strange sensation stabs through him. He glances down to see a spreading red stain on his white t-shirt on his right side over his ribs. "What the Hell?"
Setting the knife aside, he untucks the shirt and begins rolling it up carefully. There's a five inch gash across his ribs, not quite deep enough to need stitches. "You got a better angle on it. How bad is it?"
OR
It's lunch at the cafeteria. George is digging into a sandwich and some chips when a long wound opens across the back of his left hand. He drops the sandwich and grabs his hand, grimacing in sudden pain. "Aww, Hell, not again. Don't suppose you could grab me a handful a' some of them napkins, could you?"
He's bleeding onto the tray and table despite efforts to stop it with one hand clamped hard to the back of the other.
OR
It's another morning heading out for patrol around the perimeter of the dog park. George seems cheerful enough if a little subdued, his left hand bandaged and his ballcap set a bit low. He doesn't like the idea of the birds able to read his expression easily. He's setting a rapid clip until he suddenly stumbles and grimaces.
"You gotta be kiddin' me," he grumbles. "Hold up. I need to check something." He hobbles to take a seat in the grass off the sidewalk and moves to pull off his left work boot.
Studying
George can be caught in various places around ADI with a study book from the DMV. He doesn't try to hide it if he's caught with it but will need to be approached or spoken to if someone wants him breaking away from his work to engage.
SOL/Handwave Prompts
((OOC: Feel free to pick anything from this list as a log prompt if you want something lighter or fill it out if we've threaded at least once before.))
When: July
Where: Various locations in Gloucester, on the train, in and around ADI
Summary: TDM Prompts + July catch-all
Warnings: scopophobia; paranoia; unnatural animals, thalassophobia; mild scopophobia, bodily harm, stalking, bullying, altered perception, alcohol abuse, discussion of mercy killing/murder, mob "justice," gun violence
Train Home
George can be found in various parts of the train throughout the ride home, the dining car, the passenger area, the scenic window look-out, or the sleeping cubbies when it's dark and late. Pick a place if you want to talk to him about the events in Wolf's Pen or anything else. He's quiet and a little subdued but approachable and willing to talk.
Birdswatching
Maybe it's because he has spent so much of his time outside in his life, or maybe it's because he has always been extra wary of eyes on him, but it doesn't take George long at all to notice something is very off about the birds in the trees and in stealthier spots beneath bushes on the ground watching.
He pulls the brim of his LA Dodgers ballcap lower to conceal as much of his face as possible when he faces you and says, "This is a new one. What do you make of it? Think we ought to cut patrol short?"
If they're just watching, that's one thing. There's no guarantee they'll keep it to that. In his thin, short sleeved t-shirt and jeans, he doesn't feel nearly protected enough from sharp beaks or swarming talons. Not all of those birds are small or harmless, if they got it in their heads to get punchy.
Current Events
Riptide
((OOC: Please note, I'm doing 2 of these. 1 rescuing someone else, 1 being rescued. After that, George would be getting out of the water and not getting back in. First come first serve.))
1. Rescue
George has been enjoying himself in the water, a good swimmer even if being in the surf is new to him. He's swimming slow laps out beyond the breaker line when he notices you shoot past him, and whether you realize you're in trouble or not, he realizes it. "Hey!" he shouts, changing his trajectory almost immediately.
"Hang on! I'm coming for you!" He picks up speed to cut through the water to catch up.
"Relax if you can. If you fight me, we's both gonna drown."
2. Help!
Well, he'd only just managed to get someone else to safety. Whether the current shifted or he somehow managed to get further to his left than he intended, he feels himself very suddenly in a strong pull and sweep. Instinctively, he goes to his back, face out of the water and as little of him under as he can manage. It's still very fast, very far, and he's feeling both nervous and a little queasy when he looks back toward shore.
That's a long way to swim when a body is already tired out. He's looking for anything he can grab onto, and if not, trying to scull sideways to get out of the worst of it.
Poseidon Quivers
George is no artist. He'll be the first person to say it, but building sand castles isn't half bad. He's enjoying himself except for his legs going to sleep under him. He has just finished a rounded turret with a bucket when he's standing up and trying to walk it off. "Damnedest thing," he mutters.
He's wearing a LA Dodgers baseball cap, a plain pair of red swimming trunks that hit mid-thigh, and a cheap pair of sunglasses. His unfortunate permanent farmer's tan and very white legs are on full display, the latter covered with sand.
We Feast upon the Flesh
"You little bastard!" George is swatting his ballcap unsuccessfully at a seagull that just lunged in and stole his entire hotdog out of its bun. "Did you see that? Unbelievable!"
OR
George is sitting on a lounge chair hunched over a plate of food protectively and watching out for any sign of bird movement with paranoid eyes. He's eating in quick, decisive bites. If you draw close, he says, "Better watch your food. Those damned birds are out for blood today."
Spot the Difference
((OOC: Just one thread for the actual artifact, please, since it doesn't make sense to me he'd continually handle something that hurt him. I'll take repeat threads for the other injuries appearing later. First come first serve for the knife part.))
Wearing a pair of thick leather work gloves, George has picked a box and begun carefully looking at, taking pictures of, and cataloging the items inside. He's not keen to discover any weirdness. It's part of the job, and after the events in Wolf's Pen, he's both more resigned to this aspect of it and a little more confident in his ability to handle things.
He has a knife in gloved hand he's turning over to look for odd markings on the blade or handle. A strange sensation stabs through him. He glances down to see a spreading red stain on his white t-shirt on his right side over his ribs. "What the Hell?"
Setting the knife aside, he untucks the shirt and begins rolling it up carefully. There's a five inch gash across his ribs, not quite deep enough to need stitches. "You got a better angle on it. How bad is it?"
OR
It's lunch at the cafeteria. George is digging into a sandwich and some chips when a long wound opens across the back of his left hand. He drops the sandwich and grabs his hand, grimacing in sudden pain. "Aww, Hell, not again. Don't suppose you could grab me a handful a' some of them napkins, could you?"
He's bleeding onto the tray and table despite efforts to stop it with one hand clamped hard to the back of the other.
OR
It's another morning heading out for patrol around the perimeter of the dog park. George seems cheerful enough if a little subdued, his left hand bandaged and his ballcap set a bit low. He doesn't like the idea of the birds able to read his expression easily. He's setting a rapid clip until he suddenly stumbles and grimaces.
"You gotta be kiddin' me," he grumbles. "Hold up. I need to check something." He hobbles to take a seat in the grass off the sidewalk and moves to pull off his left work boot.
Studying
George can be caught in various places around ADI with a study book from the DMV. He doesn't try to hide it if he's caught with it but will need to be approached or spoken to if someone wants him breaking away from his work to engage.
SOL/Handwave Prompts
((OOC: Feel free to pick anything from this list as a log prompt if you want something lighter or fill it out if we've threaded at least once before.))

no subject
He snaps back as he remembers there is a man bleeding and grabs medical tape, standing again to look at George. "Okay, here, let's-- let's move the shirt and put this on, okay? Just press it down and I'll, uhm, I'll stick it on, and then we can tie it a little better."
no subject
"Jes' tell me where you need my hands." He'll do as he's instructed and try not to think too hard about how he just got cut by a knife he wasn't even really touching. After a certain point of puppeting vines, staring flowers, rock creatures, and suspicious acting birds, he has it in his head that you just go ahead and accept all of that, one and done, or you drive yourself crazy and get caught with your pants down sooner or later because of denial.
no subject
"How do you feel? Are you-- lightheaded, or, uhm-- p-particularly murdery, perhaps?" You know, important questions from the guy in very close proximity right now.
no subject
"Naw, nothin' like either a' those. It hurts. Not anything fierce. About what you'd expect from a slash. You OK? I know this was a shock." Not to say they couldn't expect odd effects from handling these sorts of things. It doesn't mean it goes down easy.
no subject
Martin does have it in him to laugh a bit when George asks about him though, giving him a little smile in a way he hopes isn't rude. "Oh, it's-- it's fine. I've been here for a while, so this is, uh... not, n-not even close to the most amount of blood that's happened to me. Or others."
Truthfully, though, he's thinking a lot more about being back at home, and the last... however amount of time he and Jon spent trudging through the wasteland. Frankly he hopes he never sees it again, and if he does a good enough job here, he won't and neither will anyone else.
no subject
"I think we prob'ly got this about is pressed in as we's gonna get it. You think you could call me a cab or something? I don't wanna try to walk back like this." It wouldn't be the smart thing to do.
"Safe to say that knife there's one a' the stronger things." He nods toward the shelf with a bit of a dark look. "I'm glad I wasn't down here alone. Thanks, Martin."
no subject
He shakes himself out of it as George starts speaking again, and nods hastily. "Yeah, that's-- wouldn't want you walking down the street like that." Martin fumbles for his phone, but as he's putting in the information, he looks back up towards the knife.
"What are we going to... do about that, exactly? We can't just leave it here for someone else to find."
no subject
A little more digging turns up a sharpie. He moves to write on the top of the chosen box, Curst knife. Do not touch. Works threw gloves. Cuts without touching. "This look OK to you?" He decides to add, Ask George Milton or Martin Blackwood for detales.
After throwing some of the peanuts into the box, he takes out his own folding knife to open and use it to knock the knife into the packing, gives it a shake to settle it deeper, and holds the flaps shut for taping.
no subject
Thankfully he doesn't linger, giving a sharp nod and retrieving the tape to seal the box up. "That should be alright, I-- I hope so, at least. Once you're, uh-- I mean, here, let me get a car, and we'll get you somewhere safer, and, and then I can come back and p-probably put it in about six more boxes." As he talks he's already opening up an app on his phone. "Just, uh, focus on not dying for right now? Please?"
no subject
Once Martin has the car summoned, he gestures toward the door. "How's about we both get outside and wait? I don't think anybody oughtta be totally alone up in here." If something else happened, who could help?
no subject
"Yeah, it-- wouldn't want you to accidentally get hit by something else, after all." Of course the focus isn't on Martin in all this, so why should he worry about himself? He's done this before. It's fine. "It should only be a few minutes anyway, hardly enough time to, uhm, d-do anything."
no subject
"You know if anybody else comin' to spell you? Should I call somebody to come take my place while we's waitin'?"
no subject
Besides, Martin knows he can handle it by himself if he needs to, and George doesn't need to worry about him. He'll manage. He always does.
no subject
"Thanks for helpin' me out. I know you's gonna say no need for thanks. Take it anyway. Plenty a' people don't look out for nobody but themselves. I knowed more a' them than I ever wanted to. You's awwright, Martin."
A couple of minutes later, the car pulls up and the passenger gets out to help George into the back. George makes sure they know Martin needs backup. Once he's settled, he waves at him from the back window, and then they pull away.
i'm good with wrapping here unless you have other ideas!
In the end, he just nods. "Of-- of course. We have to stick together against these, these things. It's all we've got." And it keeps them human. Tethered. Properly and fully present, like Martin needs more than most.
When the car arrives he helps George up and into it, giving him a little squeeze on the shoulder before he sets off. Once the car's departed, he simply takes a breath and goes back in- someone needs to add another six or seven warnings to that knife, after all.