worthallthis (
worthallthis) wrote in
apocalypsehowcomm2022-03-13 01:23 pm
March Catch-All [OTA]
Who: Winter (Bucky Barnes) and OPEN
When: March catch-all
Where: ADI headquarters, ADI apartments, around town
Summary: Just working, training, and being a different kind of quietly creepy
Warnings: Struggles with personalization
I. Confessions - Closed to Close CR
There are some people who need to know that they might be at risk to continue associating with him: specifically, Kate, Meredith, Jaeger, and Malcolm Bright. Winter will seek them out one by one and... confess. Or, well, say, "I need to tell you something," and then shuffle around like he's embarrassed, angry that he's embarrassed, and afraid of what their response will be.
II. Study - OTA
So Winter needs to learn how to be a person. This requires... study.
Unfortunately, study seems to take the form of creepily watching people all over town. He no longer wears his mask and goggles unless he's actively on ADI patrol or a mission, but his face is not particularly expressive, and having a large guy in a dark coat and combat boots standing on street-corners or in shop windows or sitting on perch benches staring at people (and still not making eye contact when caught at it) is not particularly reassuring.
He also takes the dive (possibly suggested by one of his people) to try reading as another form a study. Fiction. He starts, perhaps stupidly, with romance novels, as this seems like a good way to learn human interactions. He sits in the cafeteria, his apartment, or in the cold in the park with a book with a pretty lady being leaned back by a shirtless man in floral pastel colors in his hand. Mostly when he's doing this, he's frowning.
Please be the one to almost get beaned by the book when he finally gets fed up and disgusted with what he's reading and throws it across whatever room, hall, or outdoor space he's in with an annoyed growl.
III. Prisoners of Consciousness - OTA
It happens when Winter is on patrol. The ADI hallway is broad, if a little dark, and the ventilation shafts are heavy in the ceiling. He's walked this hall for months, now. He knows it well.
So why does the end of the hall seem so far away? Why are all the doors along it-- why are they shrinking to a size he could barely fit his hand through? Where is that window he knows is on this stretch of hall?
It feels like... it feels like another hall, deep inside a concrete bunker in Siberia. That's what this is. He's owned again. He's a thing again. And he sure as hell does deserve it, for all the people he killed, for the Widows he helped corrupt, for the entity that he let attach itself to him somehow and the people he scared to unwittingly feed it.
Anyone else traveling this hall in the mid to late afternoon can find him huddled against the wall, hugging his rifle like a teddy bear, breathing too hard behind his mask. No goggles today, so it's just Winter's wide, damp eyes fixed on the floor.
IV. Trick of the Dark - OTA
Winter is often out and about after dark, whether staring at the shelves at the grocery store trying to make himself pick something out of the myriad of brands available for peanut butter alone, closing up shop at ADI after a long evening of practice or tutelage, or his nightly patrols of the ADI apartments. He does glimpse the strange woman once or twice, but he sees nothing amiss about another person out after dark. That sort of thing, this time? Does not scare him.
Once he does lever his gun at her when she appears too close, but she vanishes quickly after that.
No, mostly what he sees is people of the city, even friends, attacking streetlamps, rushing into stores to turn off lights, climbing up to try and smash overhead lights in the ADI halls. He follows in their wake, puzzled, repairing what damage he can and turning lights back on. If it gets too bad, he approaches the person in question. "Calm down. What are you trying to do."
When: March catch-all
Where: ADI headquarters, ADI apartments, around town
Summary: Just working, training, and being a different kind of quietly creepy
Warnings: Struggles with personalization
I. Confessions - Closed to Close CR
There are some people who need to know that they might be at risk to continue associating with him: specifically, Kate, Meredith, Jaeger, and Malcolm Bright. Winter will seek them out one by one and... confess. Or, well, say, "I need to tell you something," and then shuffle around like he's embarrassed, angry that he's embarrassed, and afraid of what their response will be.
II. Study - OTA
So Winter needs to learn how to be a person. This requires... study.
Unfortunately, study seems to take the form of creepily watching people all over town. He no longer wears his mask and goggles unless he's actively on ADI patrol or a mission, but his face is not particularly expressive, and having a large guy in a dark coat and combat boots standing on street-corners or in shop windows or sitting on perch benches staring at people (and still not making eye contact when caught at it) is not particularly reassuring.
He also takes the dive (possibly suggested by one of his people) to try reading as another form a study. Fiction. He starts, perhaps stupidly, with romance novels, as this seems like a good way to learn human interactions. He sits in the cafeteria, his apartment, or in the cold in the park with a book with a pretty lady being leaned back by a shirtless man in floral pastel colors in his hand. Mostly when he's doing this, he's frowning.
Please be the one to almost get beaned by the book when he finally gets fed up and disgusted with what he's reading and throws it across whatever room, hall, or outdoor space he's in with an annoyed growl.
III. Prisoners of Consciousness - OTA
It happens when Winter is on patrol. The ADI hallway is broad, if a little dark, and the ventilation shafts are heavy in the ceiling. He's walked this hall for months, now. He knows it well.
So why does the end of the hall seem so far away? Why are all the doors along it-- why are they shrinking to a size he could barely fit his hand through? Where is that window he knows is on this stretch of hall?
It feels like... it feels like another hall, deep inside a concrete bunker in Siberia. That's what this is. He's owned again. He's a thing again. And he sure as hell does deserve it, for all the people he killed, for the Widows he helped corrupt, for the entity that he let attach itself to him somehow and the people he scared to unwittingly feed it.
Anyone else traveling this hall in the mid to late afternoon can find him huddled against the wall, hugging his rifle like a teddy bear, breathing too hard behind his mask. No goggles today, so it's just Winter's wide, damp eyes fixed on the floor.
IV. Trick of the Dark - OTA
Winter is often out and about after dark, whether staring at the shelves at the grocery store trying to make himself pick something out of the myriad of brands available for peanut butter alone, closing up shop at ADI after a long evening of practice or tutelage, or his nightly patrols of the ADI apartments. He does glimpse the strange woman once or twice, but he sees nothing amiss about another person out after dark. That sort of thing, this time? Does not scare him.
Once he does lever his gun at her when she appears too close, but she vanishes quickly after that.
No, mostly what he sees is people of the city, even friends, attacking streetlamps, rushing into stores to turn off lights, climbing up to try and smash overhead lights in the ADI halls. He follows in their wake, puzzled, repairing what damage he can and turning lights back on. If it gets too bad, he approaches the person in question. "Calm down. What are you trying to do."

no subject
He's going to be worse at this being-a-person thing than he thought, he can already tell.
no subject
He stops a moment, thinks, and then starts again. "There... there was a point in the past where I didn't want to have a... a me. And, and when I was coming back from that, I had to sort of... try and remember things that made me happy? Or stuff that I'd enjoy, and. I-It was really hard, because I didn't know. I didn't remember me well enough to say."
He bites at his lip, feeling the well of the Lonely still deep in him, and sighs a breath he feels might be too cold, but continues. "It takes time. To, to figure out you, and who you are, but... there's no wrong answers. You just get to try stuff, and... feel happy, about some of it, and then you know. There's no right or wrong way to be you, it's just... you."
He realizes he's got his own hands gripped together, and forces himself to stop doing that. "Does that make... sense, at all?"
no subject
He's frankly not sure anyone but himself could even survive the Chair, actually.
But this is all very... pertinent. Winter has been told that there was a him before HYDRA, that he only remembers in tiny pieces. He's not sure if he wants that him back, because he's-- not that person. He's not a person. He's still trying to work on that. But if someone else went through something similar, he ought to ask about it. Learn what happened and what he did.
no subject
He wants to chuckle, but instead he just gives Winter a little weary smile. "It wasn't-- nobody took it. I gave it away. I didn't-- I didn't like myself. I let it all go so I wouldn't have to be me."
"But... you know. There are people who want you back. Who remind you of who you are, and who... who care about you. No matter what." His smile is turning a little fond, looking out into the middle distance and obviously in thought. "And even people who didn't know you before. People who just... just like you! Despite everything, and eventually you figure it out."
no subject
"I don't have a self," he says after a moment. "Or. I didn't." Maybe he's supposed to have one, now, but he's not really even sure what it would feel like to have one.
He shakes his head once, sharply. "If I used to, I don't remember, and anyway I don't think I'm. Like that. Anymore. I have to start over. Is that possible?"
no subject
He's the most resolute he can be at the last question though, and Martin makes sure he's looking at Winter before giving him a sharp nod. "Yes. It's-- it's okay if you're not who you were. You're going to build a self, a, a new self, with people who care about you. And I know there are-- people, I mean." Martin gives him a little smile, something he puts his heart into. "It doesn't matter who you were. You're going to find out who you are now and people are going to care about you then, too."
no subject
"You were afraid of me," he says finally. It's related to the conversation, promise. "When we first met. The first couple times. Now you're not. What changed?"
no subject
"Well, you were... pretty intimidating? I mean, you still are, but." He clears his throat before he starts going into some kind of ramble on that front. "What I mean is, we've... talked, really. You trusted me to help you with your arm, and you've never tried to hurt me, so... I-I don't really have a reason to be afraid of you now. I know who you are."
no subject
Thus: "Something about me isn't frightening now that you know me. If I can figure out what that is. I can do it more. Or. Be it more." How do you be something more? He doesn't know. But he's grasping at straws, here, for lack of anything more solid to go off of.
no subject
"Oh-- oooh, I got it, I see where you're at, well--" Martin gives it some real thought, trying to pull something that is unique to the other man, drumming his fingers on his knee. "Well, it's just-- you have stuff that you do, you know? Like... you talk a certain way, and, I know some things you're good at and enjoy, or at least, I think so. Oh, I, I know you're a good listener." He seems a little proud to have picked that one out, like he's getting through a puzzle. "I know you're smart and like figuring things out. You, uh, you seem to be motivated by having a goal, too. Those are all personality things."
no subject
"Those are all person things?" he asks, skeptical and a little wary.
no subject
"Even if you were being used as a tool, you're always a person. You still... you felt things, right? You could be... satisfied, or thrilled. Any feelings you have, they make you more. More human. Nobody can take that away, especially now."
no subject
"Mostly afraid," he says, distracted. "Relieved, sometimes. Not. Not sure that counts."
Now he feels other things. He's pretty sure. Even if he doesn't always know what they are. But now he's... not like he was then. Isn't he? He's trying to be better.
no subject
He's realizing he's talking in circles, and tries to pull it back. "What I'm saying is... everything is, you know, people things. You're just trying to be a good person. A, a better person. And that means being, you know... curious, and loving, and understanding. All of that stuff we've talked about."
no subject
no subject
He takes a breath, tries again. "What I mean is... you know how to be a person more than you think. What you're doing so far is, uh, r-really good, so... just keep at that, and be curious about new things, and. And you'll be great."
no subject
He's silent for a beat, but finally unclenches his hands a little. The metal one buzzes with it. "Okay," he says. "I'll try. I. Need to be better." If learning new things is how to be better, he'll try it. Maybe it won't be fun, but what part of his life has ever been fun? "Thank you."
no subject
"You're going to do great. I, I know you will, okay? And I'll, I'm happy to help, you know, just-- just ask me anytime. You know where I, uh, where I live and everything." That would probably be creepy if it wasn't very, very true. "And you can text, o-or call anytime."