worthallthis (
worthallthis) wrote in
apocalypsehowcomm2022-03-13 01:23 pm
March Catch-All [OTA]
Who: Winter (Bucky Barnes) and OPEN
When: March catch-all
Where: ADI headquarters, ADI apartments, around town
Summary: Just working, training, and being a different kind of quietly creepy
Warnings: Struggles with personalization
I. Confessions - Closed to Close CR
There are some people who need to know that they might be at risk to continue associating with him: specifically, Kate, Meredith, Jaeger, and Malcolm Bright. Winter will seek them out one by one and... confess. Or, well, say, "I need to tell you something," and then shuffle around like he's embarrassed, angry that he's embarrassed, and afraid of what their response will be.
II. Study - OTA
So Winter needs to learn how to be a person. This requires... study.
Unfortunately, study seems to take the form of creepily watching people all over town. He no longer wears his mask and goggles unless he's actively on ADI patrol or a mission, but his face is not particularly expressive, and having a large guy in a dark coat and combat boots standing on street-corners or in shop windows or sitting on perch benches staring at people (and still not making eye contact when caught at it) is not particularly reassuring.
He also takes the dive (possibly suggested by one of his people) to try reading as another form a study. Fiction. He starts, perhaps stupidly, with romance novels, as this seems like a good way to learn human interactions. He sits in the cafeteria, his apartment, or in the cold in the park with a book with a pretty lady being leaned back by a shirtless man in floral pastel colors in his hand. Mostly when he's doing this, he's frowning.
Please be the one to almost get beaned by the book when he finally gets fed up and disgusted with what he's reading and throws it across whatever room, hall, or outdoor space he's in with an annoyed growl.
III. Prisoners of Consciousness - OTA
It happens when Winter is on patrol. The ADI hallway is broad, if a little dark, and the ventilation shafts are heavy in the ceiling. He's walked this hall for months, now. He knows it well.
So why does the end of the hall seem so far away? Why are all the doors along it-- why are they shrinking to a size he could barely fit his hand through? Where is that window he knows is on this stretch of hall?
It feels like... it feels like another hall, deep inside a concrete bunker in Siberia. That's what this is. He's owned again. He's a thing again. And he sure as hell does deserve it, for all the people he killed, for the Widows he helped corrupt, for the entity that he let attach itself to him somehow and the people he scared to unwittingly feed it.
Anyone else traveling this hall in the mid to late afternoon can find him huddled against the wall, hugging his rifle like a teddy bear, breathing too hard behind his mask. No goggles today, so it's just Winter's wide, damp eyes fixed on the floor.
IV. Trick of the Dark - OTA
Winter is often out and about after dark, whether staring at the shelves at the grocery store trying to make himself pick something out of the myriad of brands available for peanut butter alone, closing up shop at ADI after a long evening of practice or tutelage, or his nightly patrols of the ADI apartments. He does glimpse the strange woman once or twice, but he sees nothing amiss about another person out after dark. That sort of thing, this time? Does not scare him.
Once he does lever his gun at her when she appears too close, but she vanishes quickly after that.
No, mostly what he sees is people of the city, even friends, attacking streetlamps, rushing into stores to turn off lights, climbing up to try and smash overhead lights in the ADI halls. He follows in their wake, puzzled, repairing what damage he can and turning lights back on. If it gets too bad, he approaches the person in question. "Calm down. What are you trying to do."
When: March catch-all
Where: ADI headquarters, ADI apartments, around town
Summary: Just working, training, and being a different kind of quietly creepy
Warnings: Struggles with personalization
I. Confessions - Closed to Close CR
There are some people who need to know that they might be at risk to continue associating with him: specifically, Kate, Meredith, Jaeger, and Malcolm Bright. Winter will seek them out one by one and... confess. Or, well, say, "I need to tell you something," and then shuffle around like he's embarrassed, angry that he's embarrassed, and afraid of what their response will be.
II. Study - OTA
So Winter needs to learn how to be a person. This requires... study.
Unfortunately, study seems to take the form of creepily watching people all over town. He no longer wears his mask and goggles unless he's actively on ADI patrol or a mission, but his face is not particularly expressive, and having a large guy in a dark coat and combat boots standing on street-corners or in shop windows or sitting on perch benches staring at people (and still not making eye contact when caught at it) is not particularly reassuring.
He also takes the dive (possibly suggested by one of his people) to try reading as another form a study. Fiction. He starts, perhaps stupidly, with romance novels, as this seems like a good way to learn human interactions. He sits in the cafeteria, his apartment, or in the cold in the park with a book with a pretty lady being leaned back by a shirtless man in floral pastel colors in his hand. Mostly when he's doing this, he's frowning.
Please be the one to almost get beaned by the book when he finally gets fed up and disgusted with what he's reading and throws it across whatever room, hall, or outdoor space he's in with an annoyed growl.
III. Prisoners of Consciousness - OTA
It happens when Winter is on patrol. The ADI hallway is broad, if a little dark, and the ventilation shafts are heavy in the ceiling. He's walked this hall for months, now. He knows it well.
So why does the end of the hall seem so far away? Why are all the doors along it-- why are they shrinking to a size he could barely fit his hand through? Where is that window he knows is on this stretch of hall?
It feels like... it feels like another hall, deep inside a concrete bunker in Siberia. That's what this is. He's owned again. He's a thing again. And he sure as hell does deserve it, for all the people he killed, for the Widows he helped corrupt, for the entity that he let attach itself to him somehow and the people he scared to unwittingly feed it.
Anyone else traveling this hall in the mid to late afternoon can find him huddled against the wall, hugging his rifle like a teddy bear, breathing too hard behind his mask. No goggles today, so it's just Winter's wide, damp eyes fixed on the floor.
IV. Trick of the Dark - OTA
Winter is often out and about after dark, whether staring at the shelves at the grocery store trying to make himself pick something out of the myriad of brands available for peanut butter alone, closing up shop at ADI after a long evening of practice or tutelage, or his nightly patrols of the ADI apartments. He does glimpse the strange woman once or twice, but he sees nothing amiss about another person out after dark. That sort of thing, this time? Does not scare him.
Once he does lever his gun at her when she appears too close, but she vanishes quickly after that.
No, mostly what he sees is people of the city, even friends, attacking streetlamps, rushing into stores to turn off lights, climbing up to try and smash overhead lights in the ADI halls. He follows in their wake, puzzled, repairing what damage he can and turning lights back on. If it gets too bad, he approaches the person in question. "Calm down. What are you trying to do."

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She'd like to try being something different, now.
"I'm not actually seeing anything different." She made an obvious show of looking the hallway up and down. "It might be like with the snow..." Or not. She wasn't sure what was up with the snow. She wasn't sure it had been real, with how quickly it had disappeared, but it had felt real enough before that. "Some kind of illusion? I wonder..." She was musing to herself as much as she was speaking to him.
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Winter tries to breathe through the hints of rising panic. As a distraction, for himself and her, he asks, "How are you a weapon?"
Oh, he knows she's blue and glowing. He knows she doesn't look like that in town-- nobody who looks strange looks strange in town-- but he doesn't know what that means.
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She supposed a little elaboration wouldn't hurt.
"I'm an AI designed to connect with and infiltrate computer systems. Which probably isn't the kind of weapon you were thinking of, but is very effective when you need to, say, hijack enemy assets and turn them against them." Or crack their communications encryption. Or make their spaceship life support systems suddenly vent all atmosphere. She doesn't want to elaborate further, though. She's always been proud of her capabilities, but now that she's turned them against her own, it's hard to find that sense of strength and accomplishment.
no subject
He doesn't make her elaborate, at least. He can come up with those creative ways to kill all on his own.
"That would be very effective. Yes." He finally looks at her straight on. There's no eye contact, but he's looking at about the level of her right cheek. "Did you get to. Decide how you looked?" If she's a computer program, someone had to decide that, right?
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"I did, actually. What do you think?" A hint of playfulness in her tone as she spreads her arms out to give a better view. She likes seeing people react to her appearance almost as much as she likes dazzling people with her intelligence.
Also, it seems to be doing a pretty good job of distracting him.
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After a moment, she sits down. Yes, on the floor. It doesn't seem like he's ready to try leaving just yet.
"A bit, yes. More than I did when I designed this body." Before, she wasn't solid enough to feel things like cold. Now? Well, lets just say that almost getting stuck in the snow a while back wasn't fun.
...Might be time to buy herself a coat.
"I'm Cortana. What's your name?"
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The shift in his posture also isn't lost on her. Good.
"I think I'd like that." She's never received an actual gift before.
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She decides not to ask: probably best that his attention is on something else. Instead she gets up to follow him.
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He's silent for the whole length of the hall until they hit the stairwell-- he doesn't take elevators; they give him horrors-- where he holds the door for her. At that point he remembers he's trying to be more like a person, and a person would talk more, so he asks, "Do you have a job here."
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Maybe he just prefers the exercise.
She nods in answer to his question. "I work in IT and research, actually. You?"
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She's really not surprised that he works security: even if it weren't for the gear, he seems like the type. She's not bothered by the weapons or the awkwardness, she's spent much of her life taking care of a person who spent his childhood being turned into a killing machine.
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"Sounds uneventful," Winter comments. "And stationary." It sounds unpleasant, is what it sounds. He can sit still for long amounts of time with very little to do, waiting for things... but that doesn't mean he necessarily wants to. Not anymore. And he's definitely not great at helping people with easily solvable problems.
Unless those problems require murder. He doubts IT problems require murder.
"Do you get bored?"
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"That was actually why I was wandering around here in the first place." If a task isn't enough to occupy Cortana's attention, she'll just find something else to do. Fortunately, this time it was something helpful. "Sitting and waiting for code to run isn't my idea of a good time."
Winter already seems familiar enough that she'd be angry but not particularly surprised to learn of his circumstances.
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"You don't get in trouble for leaving your post?"
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There's not much she can do right now anyway.
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It's charcoal gray with a faint white pattern on it. It will probably come halfway down her thighs, and she'll have to roll the sleeves up, but it's soft, and warm. He offers it to Cortana.
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She shrugs it on, looking absolutely ridiculous but not seeming to really care, grinning up at Winter and crossing her arms in a sort of self hug.
no subject